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Almost, 2013 - 26”x12”, edition 1 of a planned edition of 10, plaster cast, oil, pigment on wood base -
Almost, 2013 - 26”x12”, edition 1 of a planned edition of 10, plaster cast, oil, pigment on wood base -
Disappointed, 2012 - 40”x9”x6”, edition 1 of a planned edition of 10, plaster cast, oil, sand, pigment on wood base -
Disappointed, 2012 - 40”x9”x6”, edition 1 of a planned edition of 10, plaster cast, oil, sand, pigment on wood base -
What Happened?, 2011 - 36”x14”x10”, edition 1 of a planned edition of 10, plaster cast, oil, sand, pigment on wood base -
What Happened?, 2011 - 36”x14”x10”, edition 1 of a planned edition of 10, plaster cast, oil, sand, pigment on wood base -
Ideas, 2011 - 24”x48”x5”, plaster casts, oil, pigment on wood panel24”x48”x5”, plaster casts, oil, pigment on wood panel -
Ideas, 2011 - 24”x48”x5”, plaster casts, oil, pigment on wood panel24”x48”x5”, plaster casts, oil, pigment on wood panel -
You’re Safe, 2011 - 26”x14”x14”, plaster casts, oil, pigment on wood base -
You’re Safe, 2011 - 26”x14”x14”, plaster casts, oil, pigment on wood base -
Human Goose Barnacle or You Don’t Fool Me, 2011 - 32”x9”x8”, plaster cast, oil, sand, pigment on wood base -
Human Goose Barnacle or You Don’t Fool Me, 2011 - 32”x9”x8”, plaster cast, oil, sand, pigment on wood base
In the Things Change series, I examined the idea of finding oneself in a situation different than what was expected, such as a changed relationship or a new artistic direction or the unfairness of the body’s decline. What Happened?, the first sculpture in Things Change, is a partially alive sunflower with human qualities alluding to a more promising earlier state. The second piece, You’re Safe, addresses being tangled-up externally but secure inside and takes the shape of a banyan tree about to spring to life, with a small animal figure safely nestled inside its trunk. All sculptures in the series share anthropomorphic qualities and use organic forms to unmask human qualities.